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Tell us about your project

Graphics, animation and VFX for production companies and agencies

Your graphics department, without the extra headcount.

Title sequences and credits, documentary graphics, motion graphics, 2D and 3D animation, VFX and post-production. We take on a self-contained part of your production or join your team, on your schedule and in your way of working.

Who we’ve worked with

  • BBVA
  • Fundación Mapfre
  • Decathlon
  • Allianz Partners
  • Penguin Random House
  • Energizer
  • Endesa
  • Fundación BBK

In short

What does a graphics studio do for a production company?

A graphics and post-production studio handles the parts of a production that need design and animation: the title sequence and credits, the captions, maps, infographics and reconstructions in a documentary, 2D or 3D animation and visual effects. Isla Studio does this from Madrid, either as a commissioned job or embedded in the production team.

The team has 20 years’ experience in graphics, motion graphics, animation and post-production, and has worked with production companies such as Fremantle and agencies such as Moonbook and Magán y Magán.

What we do on your production

Each part has its own page with cases and FAQs. A single production usually mixes two or three.

  • Graphics for series and documentaries

    Title sequences, titles, credits, captions and animated press cuttings that carry the narration, as in Infiltrada en el Búnker.

    Title design and graphics for film, TV and streaming
  • Maps, infographics and data

    Animated maps, diagrams and data visualisation to explain what the footage can’t say on its own.

    Animated infographics and data visualisation
  • Motion graphics and 2D animation

    Complete animated pieces or parts of one: explainers, data, characters and versions for social.

    Motion graphics and 2D animation
  • 3D animation

    Products, spaces and processes you can’t film, modelled and animated through to the final render.

    3D animation
  • VFX and post-production

    Compositing, tracking, rotoscoping, clean-up, and integrating graphics and 3D into live-action footage.

    Post-production and VFX
  • Generative AI

    Images and assets you can’t film, generated and transformed with AI inside a professional pipeline.

    AI video production

Two ways to work

  1. A self-contained part

    You hand us a piece with its scope and deadline: a series’ title sequence, a documentary’s graphics, a handful of VFX shots. We make it from start to finish and deliver it ready for your edit.

  2. Inside your team

    We join the production for as long as it takes, on your schedule and in your way of working. Long-term collaborations too, project after project.

With production companies and agencies

Three jobs where we worked for another production company or agency.

  1. An animated press cutting from the documentary Infiltrada en el Búnker
    01

    A documentary’s graphic world

    For Fremantle and Amazon Studios, the inserts and graphics for the documentary Infiltrada en el Búnker: maps, press cuttings and captions that carry the narration, from the first moodboards to the final style.

    Infiltrada en el BúnkerFremantle · Amazon Studios

    View the case study
  2. A Gauguin painting in its frame, the starting point for the immersive piece
    02

    The animated part of an agency campaign

    For the agency Magán y Magán, on the Museo Thyssen-Bornemisza’s 25th anniversary, and for Fundación BBK: artworks treated as 3D simulations you can step into. The museum’s social media campaign passed 300,000 views.

    Artworks for BBK and the Thyssen MuseumMuseo Thyssen · Fundación BBK · with Magán y Magán

    View the case study
  3. The lobby of an Iberdrola office, with a suspended sculpture
    03

    A video for an agency’s client

    For the agency Moonbook, the video of Iberdrola’s art collection, filmed at its offices in Bilbao, Madrid, Valencia and San Agustín de Guadalix, bringing together art, architecture and the company’s values.

    Iberdrola’s art collectionMoonbook · for Iberdrola

    View the case study

How we work with your production

Four steps, with your team’s sign-off at each one. If the production is already under way, we come in at whatever stage it has reached.

Start with the brief
  1. Step 1: You tell us about the production

    What the piece is, for which broadcaster, platform or client, what material exists and when it’s due.

    You getA proposal with scope, team, plan and budget

  2. Step 2: Style and tests

    Before production, we lock down the style with tests and style frames on your footage.

    You getStyle tests to approve

  3. Step 3: Production in phases

    We produce in parts, and you review each one with your director and your editor.

    You getVersions to review

  4. Step 4: Delivery

    The final pieces and whatever versions the production needs.

    You getFinal material, ready for your edit

Frequently asked questions

Do you work with footage shot by another production company?

Yes. It’s standard when we work for a production company: we start from their footage, their schedule and their way of working, and we make the graphics, animation or effects the piece needs, delivered ready for their edit.

Can you do just one part, like the title sequence?

Yes. We can take on a self-contained part (the title sequence, the titles and credits, a documentary’s graphics or a set of VFX shots) or join the team for the whole production, including long-term collaborations.

Do you sign NDAs?

Yes. Some of our work can’t be shown because it’s covered by confidentiality agreements, and we never publish a piece or use it in our portfolio without the client’s permission. That’s why our portfolio shows only part of what we make.

Do you also work for agencies?

Yes. We’ve worked for agencies such as Moonbook, on the video of Iberdrola’s art collection and on pieces for Fundación Mapfre, and Magán y Magán, on the Museo Thyssen’s 25th anniversary campaign.

What do you need for a quote?

What the piece is and where it will be seen (broadcast, streaming, cinema or social), the length or number of pieces, style references, any material that already exists and the delivery date. With that, we’ll put together a proposal with scope, plan and budget.

Do you handle art direction too?

Yes, if the production needs it. We can come in at concept stage and define the piece’s graphic look, from the first moodboards and style tests onwards, or follow the art direction the project already has and work within it.

Art direction

What’s in production?

Tell us what the piece is, who it’s for and when it’s due. We’ll get back to you and talk it through with your team.

info@isla-studio.com

The Isla Studio teamVideo production studio in Madrid

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